THE AUDACITY OF DESPAIR: AN INTERVIEW WITH ALEKSANDAR HEMON
Hemon is the author of three novels-Nowhere Man (2002), which was a finalist for the National Book Critics Circle Award; The Lazarus Project (2008), a finalist for the National Book Award and National Book Critics Circle Award; and the just-published The Making of Zombie Wars (2015)-as well as two c...
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Veröffentlicht in: | Studies in the novel 2015-07, Vol.47 (2), p.246-266 |
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Hauptverfasser: | , |
Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | Hemon is the author of three novels-Nowhere Man (2002), which was a finalist for the National Book Critics Circle Award; The Lazarus Project (2008), a finalist for the National Book Award and National Book Critics Circle Award; and the just-published The Making of Zombie Wars (2015)-as well as two collections of short stories (The Question of Bruno [2000], Love and Obstacles [2009]) and a collection of essays (The Book of My Lives [2013]). For writers such as yourself who do occupy this overlapping space created by multiple languages and multiple cultures- and the list of contemporary writers who occupy similar spaces is fairly long, as we live in an increasingly mobile and multicultural world-what would you say are the particular challenges or opportunities inherent to this space that is created by these overlapping and intersecting languages and cultures? ALEKSANDAR HEMON: |
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ISSN: | 0039-3827 1934-1512 1934-1512 |
DOI: | 10.1353/sdn.2015.0031 |