Freiheit durch Verwandlung(en). Eine künstlerische Vision im Rückblick. Roland Schimmelpfennigs Das Reich der Tiere in der Inszenierung von Jürgen Gosch

Starting from the basic assumption that the spaces of imagination of artists and audiences unfold only creatively, when both sides have made their aesthetic experiences and have seen through and understood the rules of the game or the "autonomy of the stage" (Edward Gordon Craig) Example of Jürgen Gosch's world premiere of Roland Schimmelpfennig's Das Reich der Tiere (Deutsches Theater Berlin 2007) determines the aesthetic proportions in Spielund Kunstraum. It turns u. a. the question how the author directs in the rehearsal room of his text, structurally reflects scenic processes and with which strategies the director playfully integrates into a performative body-centered and space-forming discourse in an intensive interaction with the equipment (Johannes Schütz), which questions both the range of metamorphoses touched as well as with the performance style (Yves Klein) or the actionistically influenced art practice (Viennese Actionism) enters into the dialogue.