Hacer Cuba con la música: La construcción de una identidad nacional cubana a través de la ensayística musical carpenteriana

The popularization of article and theories that deal with Carpentier took place throughout the 80's and early 90's. However, after a smooth fever about Carpentier in the recent years of the last century, the number of such interdisciplinary approaches, which have already been made to the g...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Dicenda 2014-01, Vol.32, p.205
1. Verfasser: Garí Barceló, Bernat
Format: Artikel
Sprache:eng ; spa
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
Beschreibung
Zusammenfassung:The popularization of article and theories that deal with Carpentier took place throughout the 80's and early 90's. However, after a smooth fever about Carpentier in the recent years of the last century, the number of such interdisciplinary approaches, which have already been made to the general work of the author, is, by far, poor and meagre. With this article, the authors have proceed, on one hand, to dissect, analyze and present the capital Carpentier's article Music in Cuba, the importance of which as a significant part of the essays by the Cuban author has so far evaded critically, and to examine, on the other hand, the process of making a Latin American -- and also national- identity, through the pages of the article that concerns people. Thea authors will proceed, also, to an exercise in intertextuality linking Music in Cuba with various other works by Carpentier, which also develop and connect concepts such as music and nationalism.
ISSN:0212-2952
1988-2556
DOI:10.5209/rev_DICE.2014.v32.44635