EL SALÓN DE BAILE EN LA ÉPOCA DE ORO DEL CINE MEXICANO: ESPACIO DE CONFLICTO ENTRE EL ESTADO LAICO Y LA SOCIEDAD CATÓLICA

Monsiváis dice que "[...] cinema plays a decisive role in national integration, as a mediator between a victorious state and masses with no democratic tradition, formed by a sentimental education" (All the People 149). Henri Lefebvre le atribuye a esta socialización diferentes niveles Social space contains-and assigns (more or less) appropriate places to - (1) the social relations of reproduction, i.e. the bio-physiological relations between the sexes and between age groups, along with the specific organization of the family; and (2) the relations of production, i.e. the division of labor and its organization in the form of hierarchical social functions. El período de aparente calma al que se conoce como un modus vivendi se reafirma, según Alan Knight, con Ávila Camacho quien se autonombra creyente y da inicio a un período en donde el anticlericalismo del gobierno decae: "his presidency promoted a new Church-state modus vivendi that, though far from complete or mutually congenial, at least prevented a recrudescence of conflict, especially now that the Cold War served to bring these two old antagonists closer together" (26). Front the Royal to the Republican Body: Incorporating the Political in Seventeenth and Eighteenth Century France.