PROMISLJANJE TRADICIONALNOG U ETNOGRAFSKOM FILMU: Reprezentacija, etika i autohtonost/KOMENTARI/OSVRT NA KOMENTARE

Cinema has been an important instrument in the colonialist production of the ethnographic Other. Images create concepts as well as embody cultural concepts. They enact symbolic forms of power. Ethnographic ^lm is not only a representation of reality but also a construction and an interpretation of another reality based on cultural conventions from the ^lmmaker's culture. Therefore we are challenged to discuss whether it is possible to present cultural knowledge "di^erently"; that is, to question historically, culturally, politically and ideologically bound hierarchies implicit in colonial culture? Do images embody cultural knowledge as Sol Worth and John Adair (1972, 1981) claimed? W hose knowledge do they present? What values images have in Western cultures as opposed to non- Western worlds? Do images necessarily "victimize" the Other (Ruby 1991; Kuehnast 1992; Hall 1993)? Ethnographic ^lm theory has been an ongoing discussion of issues of objectivity, subjectivity, realism, and ethical questions of representation. In recent years ethnographic ^lmmakers have looked for solutions, and new approaches to documentary ^lmmaking have provided some answers to these questions. [PUBLICATION ABSTRACT]