NICANOR PARRA: ANTIPOEMAS, PARODIAS Y LENGUAJES HÍBRIDOS. DE LA ANTIPOESÍA AL LENGUAJE DEL ARTEFACTO1
Strictly separate disciplines before, art history, literary criticism, sociology, political science and history, begin to look at their boundaries blurred and crossed in a particular class of hybrid and transversal studies, which were no longer easily assigned to one domain or another. Giving rise t...
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Veröffentlicht in: | Nómadas 2012-01, p.213 |
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Format: | Artikel |
Sprache: | spa |
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Online-Zugang: | Volltext |
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Zusammenfassung: | Strictly separate disciplines before, art history, literary criticism, sociology, political science and history, begin to look at their boundaries blurred and crossed in a particular class of hybrid and transversal studies, which were no longer easily assigned to one domain or another. Giving rise to a new discursive phenomenon, which can only be designated generically-as-theory (theory). The original form of these works reflects, as people shall see, the increasing textualization of its objects, showing a resurgence, but much more versatile, the ancient practice of "comment" kind, like the "after-dinner speech" Nicanor Parra, subscribe. In Parra-Cervantes Prize 2011, the highest honor and most important literary award in Spanish-we have one of the most outstanding examples of these deconstructive writings, with its clear emphasis on narrative as a foundation instance of postmodern reason. |
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ISSN: | 1578-6730 |