What Was Modernism (in Indian Art)?
Purely in an oppositional way Ramkinkar therefore allows us to read that time historically against all kinds of domination in relation to the history of modernization, nationalism, and cultural and romantic imperialisms.1 In order to explore the way through which Ramkinker has disrupted the course o...
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Veröffentlicht in: | Social scientist (New Delhi) 2012-05, Vol.40 (5/6), p.59-75 |
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Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | Purely in an oppositional way Ramkinkar therefore allows us to read that time historically against all kinds of domination in relation to the history of modernization, nationalism, and cultural and romantic imperialisms.1 In order to explore the way through which Ramkinker has disrupted the course of mainstream modernism, it is more than necessary to deal with the trajectories of his cultural production and the discursive ambit in which these trajectories of production are located. [...]I initiate a comparative analysis of the works and life of Deviprosad Roy Chowdhury (1899-1975) and Ramkinker Baij (1906 - 1980). |
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ISSN: | 0970-0293 |