The Creation and Construction of Asian Cinema Redux

This article looks back to the first book imagining an “Asian cinema,” which was published in Japan on the eve of Pearl Harbor. It then works through a history of the conception of Asian cinema, discovering fundamental continuities between national and transnational cinema studies and calling for a...

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Veröffentlicht in:	Film history (New York, N.Y.) N.Y.), 2013-01, Vol.25 (1-2), p.175-187
1. Verfasser:	Nornes, Abé Mark
Format:	Artikel
Sprache:	eng
Schlagworte:	Analysis Asian cinema Chinese culture Critical theory Film criticism Film festivals Film history Film industry Film studies Ichikawa, Sai Indian literature Japanese culture Literary criticism Motion picture directors & producers Motion picture industry Motion pictures, Asian Movies National cinema Nonfiction Regionalism Transculturalism War Writing
Online-Zugang:	Volltext
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Beschreibung
Zusammenfassung:	This article looks back to the first book imagining an “Asian cinema,” which was published in Japan on the eve of Pearl Harbor. It then works through a history of the conception of Asian cinema, discovering fundamental continuities between national and transnational cinema studies and calling for a regionalization of film history.
ISSN:	0892-2160 1553-3905
DOI:	10.2979/filmhistory.25.1-2.175