Pluche and Derham, New Sources of Goldsmith

Goldsmith's extensive borrowings from other writers, especially from French writers, have long been known. It has been established that he was heavily indebted to Buffon, Voltaire, Marivaux, Montesquieu, D'Argens, and the Encyclopédie. To these French sources of Goldsmith should be added L...

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Veröffentlicht in:PMLA : Publications of the Modern Language Association of America 1942-06, Vol.57 (2), p.435-445
1. Verfasser: Lynskey, Winifred
Format: Artikel
Sprache:eng
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Zusammenfassung:Goldsmith's extensive borrowings from other writers, especially from French writers, have long been known. It has been established that he was heavily indebted to Buffon, Voltaire, Marivaux, Montesquieu, D'Argens, and the Encyclopédie. To these French sources of Goldsmith should be added La Spectacle de la Nature of the Abbé Pluche, published in eight volumes in Paris between 1732 and 1751. La Spectacle de la Nature is a medley of popularized scientific knowledge, presented in dialogue form. It includes material on zoology, botany, physics, and astronomy, with a strong teleological motivation. Its popularity in England may be seen in the fact that the English translation appeared in 1733, almost immediately after the first Paris edition, and went into an eighth edition between 1754 and 1763. To the English sources of Goldsmith, moreover, should be added William Derham's Physico-Theology , first published in London in 1713, which includes astronomy, physics, and natural history, and which, like La Spectacle de la Nature, promulgates the argument from design.
ISSN:0030-8129
1938-1530
DOI:10.2307/458785