Melodic Tendencies in Prokofiev's "Romeo and Juliet"

Melodic Tendencies in Prokofiev's "Romeo and Juliet"

Examines the melodies from Prokofiev's "Romeo and Juliet" as representatives of his later style and explores the composer's style as "a complex system of probabilities" by submitting several aspects of the melodies to a chi-square test.

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Bibliographische Detailangaben
Veröffentlicht in:College music symposium 1997-01, Vol.37, p.109-128
1. Verfasser: Stephenson, Ken
Format: Artikel
Sprache:eng
Schlagworte:
Analysis
Composers
Compositional Techniques
Contrapuntal motion
Degrees of freedom
Entropy
Information theory
Melody
Musical aesthetics
Musical intervals
Musical Works
Prokofiev, Sergei
Sound pitch
Tendency tones
Tonal centrism
Viewpoints on: Analysis
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Beschreibung
Zusammenfassung:Examines the melodies from Prokofiev's "Romeo and Juliet" as representatives of his later style and explores the composer's style as "a complex system of probabilities" by submitting several aspects of the melodies to a chi-square test.
ISSN:0069-5696
2334-203X