Mutual Roots of Musical Thinking: György Kurtág, Péter Eötvös and Their Relation to Ernő Lendvai's Theories

Mutual Roots of Musical Thinking: György Kurtág, Péter Eötvös and Their Relation to Ernő Lendvai's Theories

The author analyzes various musical passages by Hungarian composers György Kurtág and Péter Eötvös, and looks for the influences of Bartók and Ernö Lendvai. Both composers have seen Lendvai's theories as a valid method of analysis for Bartók's music and as a stimulus for their own creative...

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Veröffentlicht in:Studia musicologica. Academiae Scientiarum Hungarica 2002-01, Vol.43 (3/4), p.223-234
1. Verfasser: Hohmaier, Simone
Format: Artikel
Sprache:eng
Schlagworte:
Comparative Analysis
Composers
Compositional styles
Eötvös, Peter
Hungarian Music
Intervals (Pitch)
Kurtág, György
Lendvai, Ernö
Major intervals
Minor intervals
Music analysis
Music composition
Music Theory
Musical Analysis
Musical chords
Musical Influences
Musical intervals
Musical motives
Variation forms
Violin concertos
Written composition
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Beschreibung
Zusammenfassung:The author analyzes various musical passages by Hungarian composers György Kurtág and Péter Eötvös, and looks for the influences of Bartók and Ernö Lendvai. Both composers have seen Lendvai's theories as a valid method of analysis for Bartók's music and as a stimulus for their own creative process. In particular, the theories of intervallic approach are explored. Musical examples are included.
ISSN:0039-3266
1788-6244
1588-2888
1789-2422
DOI:10.1556/SMus.43.2002.3-4.2