Micro-Raman and GC/MS analysis to characterize the wall painting technique of Dicho Zograph in churches from Republic of Macedonia
Micro‐Raman spectroscopy, pyrolysis/gas chromatography–mass spectrometry (Py/GC/MS) and gas chromatography‐mass spectrometry (CG/MS) were applied for the characterization of pigments and binders used in the wall paintings ascribed to the works of the prominent 19th century Macedonian iconographer, D...
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Veröffentlicht in: | Journal of Raman spectroscopy 2012-11, Vol.43 (11), p.1685-1693 |
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Zusammenfassung: | Micro‐Raman spectroscopy, pyrolysis/gas chromatography–mass spectrometry (Py/GC/MS) and gas chromatography‐mass spectrometry (CG/MS) were applied for the characterization of pigments and binders used in the wall paintings ascribed to the works of the prominent 19th century Macedonian iconographer, Dicho Zograph. Among numerous works attributed to him, wall paintings from three churches in the Western part of the Republic of Macedonia have been selected for pigment and binder analysis.
A rich palette of pigments, both natural/mineral and synthetic ones, were identified by micro‐Raman spectroscopy. Organic material analysis evidenced the use of mixtures of proteinaceous materials (mainly animal glue and egg) with linseed oil and pine resin, while saccharide materials were excluded.
A comparison between the pigments and binders identified in this study and those suggested in Dicho's Painter's Manual (from 1851) showed that some materials had not been mentioned in his written source. Copyright © 2012 John Wiley & Sons, Ltd.
Micro‐Raman spectroscopy, Py/GC/MS and GC/MS were applied for the characterization of pigments and binders used in the 19th century wall paintings ascribed to the work of Macedonian iconographer, Dicho Zograph. A rich palette of pigments, both natural/mineral and synthetic were identified, while the binders were mainly a mixtures of proteinaceous materials, linseed oil and pine resin.
A comparison between the pigments and binders identified in this study and those suggested in Dicho's Painter's Manual (from 1851) showed that some materials, both inorganic and organic ones, had not been mentioned in his written source. |
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ISSN: | 0377-0486 1097-4555 |
DOI: | 10.1002/jrs.4183 |