'Qui dove il piè fermai': una 'Serenata' tra modularità formale e manifesto poetico

'Qui dove il piè fermai': una 'Serenata' tra modularità formale e manifesto poetico

The aim of this study is to enlighten a particular tipology of serenata used by Carlo Caproli del Violino, through three approaches: first, a textual one , based on the meaning of verses; second, the musical one, through comparisons with other 'seremate' of the same period to define a simi...

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Veröffentlicht in:Rivista italiana di musicologia 2008-01, Vol.43-45 (1-2), p.45-80
1. Verfasser: Affortunato, Tiziana
Format: Artikel
Sprache:ita
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17th century
18th century
Caproli, Carlo
Comparative Analysis
Compositional Techniques
Music Theory
Musical Analysis
Musical Forms
Musical Structure
Serenades
Textual Analysis
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description The aim of this study is to enlighten a particular tipology of serenata used by Carlo Caproli del Violino, through three approaches: first, a textual one , based on the meaning of verses; second, the musical one, through comparisons with other 'seremate' of the same period to define a similar formal structure; and third, theoretical and bibliographical, as all European commentators of the 17th and 18th centuries wrote about serenatas like magnificent, allegorical and eulogistic spectacles.
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2036-5586
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subjects 17th century
18th century
Caproli, Carlo
Comparative Analysis
Compositional Techniques
Music Theory
Musical Analysis
Musical Forms
Musical Structure
Serenades
Textual Analysis
title 'Qui dove il piè fermai': una 'Serenata' tra modularità formale e manifesto poetico
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