Im Netz der Gewalt: Der Terrorfilm zwischen Horror, Zeitgeschichte und medialer Berichterstattung
Questions like "How do historical and cultural traumas affect film history?" and "How are they represented and why?" have a significant tradition in film studies. However, most approaches have been focusing on matters of content, largely neglecting the filmic form. Exploring the...
Gespeichert in:
Veröffentlicht in: | Arcadia 2010-09, Vol.45 (1), p.191 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | ger |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Zusammenfassung: | Questions like "How do historical and cultural traumas affect film history?" and "How are they represented and why?" have a significant tradition in film studies. However, most approaches have been focusing on matters of content, largely neglecting the filmic form. Exploring the connection between the documentary representation of such traumatic historical events as the Vietnam War and the Abu Ghraib prison torture on the one hand, and the film language of "terror films" of the 1970s and 2000s on the other, it is possible to show that depictions of the historical horrors correspond to the specific contemporary filmic forms of the horror films. [PUBLICATION ABSTRACT] |
---|---|
ISSN: | 0003-7982 1613-0642 |
DOI: | 10.1515/ARCA.2010.011 |