Doctoral Projects in Progress in Theatre Arts, 2012

The report lists (in order) the doctoral student's name, dissertation title, institution, academic department, faculty supervisor, and projected year of completion. Dissertation topics are arranged in two parts: in part 1, topics are listed first geographically, and secondarily by time periods;...

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Veröffentlicht in:Theatre journal (Washington, D.C.) D.C.), 2012-05, Vol.64 (2), p.317-322
Hauptverfasser: Lescher, Troy Matthew, Halder, Nicholas Adam, Bush, James Beekman
Format: Artikel
Sprache:eng
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Zusammenfassung:The report lists (in order) the doctoral student's name, dissertation title, institution, academic department, faculty supervisor, and projected year of completion. Dissertation topics are arranged in two parts: in part 1, topics are listed first geographically, and secondarily by time periods; and part 2 provides additional divisions for those projects that are not easily classified within geographic or historical parameters, but conform to other emerging areas of contemporary research. "According to the Scrippe": Performance Directions in Shakespeare's Early Modern Playbooks. Charity, Celebrity, and Commodity: How Nineteenth-Century British Actresses Used Participation in Philanthropy to Garner Social Capital and Status. Rehearsal, Ensemble, and Training in Six Major Shakespeare Companies: The Royal Shakespeare Company, Shakespeare's Globe, The Stratford Shakespeare Festival, Shakespeare & Company, The American Shakespeare Center, and The Oregon Shakespeare Festival. Constellations of Suffering: Historical Trauma in the Theatrical Adaptation of Greek Tragedy.
ISSN:0192-2882
1086-332X
1086-332X
DOI:10.1353/tj.2012.0049