Memoria cultural, experiencia histórica y perspectiva mesiánica en el cine de Fernando Solanas: Tangos. El exilio de Gardel (1985)/Cultural Memory, Historic Experience and Messianic Perspective in Fernando Solanas' Cinema: Tangos. El Exilio de Gardel (1985)
In 1985 and 1986 the Argentinian film director Fernando Solanas rolled two movies whose common background was the topic of the military dictatorship that between 1976 and 1982 governed that country. The works take on the scene of the political context in a fundamentally different way but complementa...
Gespeichert in:
Veröffentlicht in: | Taller de letras 2011-10 (49), p.219 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | spa |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Zusammenfassung: | In 1985 and 1986 the Argentinian film director Fernando Solanas rolled two movies whose common background was the topic of the military dictatorship that between 1976 and 1982 governed that country. The works take on the scene of the political context in a fundamentally different way but complementary. Hispanic research journal, Vol. 9 (2008), No. 3, págs. 247-260. 10 Sigmund Freud: "Jenseits des Lustprinzips", loc. cit.; Jacques Lacan, "Desire and the Interpretation of Desire in Hamlet", in Shoshana Felman, Literature and Psychoanalysis, Johns Hopkins, Baltimore, 1982, págs. 11-52. |
---|---|
ISSN: | 0716-0798 |