Gothic Cinema during the Silent Era
The moving picture was initially a novelty, really no more than a picture that moved. Perhaps the best way to appreciate the nineteenth-century’s reaction to the very first moving pictures is to imagine being handed an old snapshot and seeing the images actually show movement. Moving pictures, runni...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buchkapitel |
Sprache: | eng |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Zusammenfassung: | The moving picture was initially a novelty, really no more than a picture that moved. Perhaps the best way to appreciate the nineteenth-century’s reaction to the very first moving pictures is to imagine being handed an old snapshot and seeing the images actually show movement. Moving pictures, running only a few minutes and featuring such activities as a man riding a horse, a train pulling into its station or a girl climbing a tree were exciting novelties that enthralled those that gathered in empty store fronts to see them projected.
Gothic cinema began during cinema’s infancy, when French magician George |
---|---|
DOI: | 10.3366/j.ctv10kmdxf.6 |