Til Brugman’s De Stijl Rooms: A ‘Flat in The Hague’ with Designs by Theo van Doesburg, Vilmos Huszár, Gerrit Rietveld, El Lissitzky and Kurt Schwitters, 1923-26
It is unlikely that the writer Til Brugman (1888-1958) ever saw the exhibition "Rietveld : bijdrage tot vernieuwing der bouwkunst" in Utrecht's Centaal Museum in 1958. Yet she had a very special bond with Gerrit Rietveld (1888-1964). In the early 1920s, she was among the first people...
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Veröffentlicht in: | The Rijksmuseum bulletin 2017-01, Vol.65 (2), p.128-167 |
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Format: | Artikel |
Sprache: | eng |
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Zusammenfassung: | It is unlikely that the writer Til Brugman (1888-1958) ever saw the exhibition "Rietveld : bijdrage tot vernieuwing der bouwkunst" in Utrecht's Centaal Museum in 1958. Yet she had a very special bond with Gerrit Rietveld (1888-1964). In the early 1920s, she was among the first people to buy his furniture. Brugman used Rietveld's furniture every day until her death, and even gave the architect a place in her literary work. Rietveld was not the only person in De Stijl circles with whom Brugman was friendly. She had already met painter Piet Mondrian (1872-1944) and was able to count the artists Theo van Doesburg (1883-1931) and Vilmos Huszár among her close friends and acquaintances at various times. Although there have been numerous publications about De Stijl over the years, Brugman's role in this avant-garde movement has never been the subject of a study. [Abridged Publication Abstract] |
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ISSN: | 1877-8127 2772-6126 2772-6126 |
DOI: | 10.52476/trb.9783 |