Nowhere To Go Is All Over The Place (Inventory)

Song & Transcription with References 7:47 To decide what to write is a problem of a different order Part 1: SORT IT ALL OUT AND END UP WITH A SICK OBJECTIVITY Here’s another tableau of intimacy that won’t respond to questions. (LEPSELTER 2004) I found myself particularly moved by this video clip; it was silent (likely by some encoding error) but I think that the silence moved me further. (SHESHADRI 2020) Empathy is rough. (UNATTRIBUTABLE 2008) Remember When is the lowest form of conversation. (SOPRANO 2006) I feel I can give you everything without giving myself away. (NELSON 2015) As we became less sure what came from one, what came from the other, or even from someone else, we would become clearer about “What is it to write?”. (DELEUZE & PARNET 1980) I had hoped that everyone there would be new, that there would be no one I had ever met before. That way, I could put on a new set of airs; I could say I was something that I was not, and no one would ever know the difference. (KINCAID 1983) Had she been a direct inspiration for his work? Had he been a tyrant? An uncompromising lover? Was there going to be another episode in their dark drama, or was this the end? (DE JONG 1977) A tough, ambiguous depiction of traditionally female imagery. (CRIMP 1972) The freedom to be happy restricts human freedom if you are not free to be happy. (AHMED 2010) Part 2: ARE YOU RELENTLESS OR UNRELENTING? A paranoiac treasure hunt, incriminatory, clues planted everywhere around the seasick room. (KRAUS 251) Bars had a hyper-plain intimacy of a sixties basement rec room. (BERLANT & STEWART 2019) Wallabies may be breeding in the wild in Britain. Artificial light may be driving mosquitos from day-biting to night-biting. Colorado spruce forests killed by beetles become mildly cooler, and Guam’s coconut rhinoceros beetles have started burrowing into cycad trees. (FINDINGS 2020) We were warned about spiders, and the occasional famine. We drove downtown to see our neighbors. None of them were home, we nestled in yards the municipality had created. (ASHBERY 2004) Dread fears the event, too, because it’s only going to be confirming of the time one suffers as the historical present. Dread looks forward to rest from even the possibility of the event. (BERLANT 2011) During the trial, all the city all the city’s penny papers fabricated information and embellished their stories in a tawdry effort to keep the public enthralled. (GONZALEZ & TORRES 2011) The historical society is a lackey of the