In the Heart of the Country

The exhibition “In the Heart of the Country” is the first comprehensive presentation of the international collection of the Museum of Modern Art in Warsaw. In a relatively short time—the Museum was established in 2005—the institution has acquired over 300 works. First and foremost, these are works p...

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Hauptverfasser: Ken Jacobs, Zhanna Kadyrova, Polina Kanis, Leszek Knaflewski, Olga Chernysheva, Anne Collier, Abraham Cruzvillegas, Julia Dault, Oskar Dawicki, Nathalie Djurberg, Jimmie Durham, Bracha L. Ettinger, Ruth Ewan, Omer Fast, Yona Friedman, Ion Grigorescu, Aneta Grzeszykowska, Wiktor Gutt, Waldemar Raniszewski, Sharon Hayes, Jonathan Horowitz, Sanja Iveković, Akademia Ruchu, Wojciech Krukowski, Prof. Grzegorz Kowalski’s Workshop Archive, Daniel Knorr, Paweł Althamer, Francis Alÿs, Mirosław Bałka, Yael Bartana, Wojciech Bąkowski, Miron Białoszewski, Cezary Bodzianowski, Geta Brătescu, Ivan Brazhkin, Wojciech Bruszewski, Michał Budny, Rafał Bujnowski, Duncan Campbell, Anna Zaradny, Stanisław Zamecznik, Akram Zaatari, Andrzej Wróblewski, Krzysztof Wodiczko, Helena Włodarczyk, Zbigniew Warpechowski, Piotr Uklański, Teresa Tyszkiewicz, David Ter-Oganyan, Alina Szapocznikow, Jan Styczyński, Frances Stark, Roman Stańczak, Jack Smith, Slavs and Tatars, Ahlam Shibli, Wael Shawky, Jacek Sempoliński, Jadwiga Sawicka, Wilhelm Sasnal, Bianka Rolando, Józef Robakowski, Mykola Ridnyi, Joanna Rajkowska, R.H. Quaytman, Seth Price, Marek Piasecki, Pratchaya Phinthong, Dan Perjovschi, Ewa Partum, Paulina Ołowska, Krzysztof Niemczyk, Deimantas Narkevičius, Laurel Nakadate, Teresa Murak, Aernout Mik, Gustav Metzger, Adrian Melis, Teresa Margolles, Goshka Macuga, Sarah Lucas, Klara Lidén, Zbigniew Libera, KwieKulik, Paweł Kwiek
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Zusammenfassung:The exhibition “In the Heart of the Country” is the first comprehensive presentation of the international collection of the Museum of Modern Art in Warsaw. In a relatively short time—the Museum was established in 2005—the institution has acquired over 300 works. First and foremost, these are works purchased as part of the Ministry of Culture and National Heritage’s “International Collections of Contemporary Art” programme, as well as donations and temporary loans from artists, private individuals and businesses. Many of the collected works were commissioned by the Museum for its exhibitions and public projects (such as pieces by artists like Sanja Iveković, Zbigniew Libera, Sharon Hayes and Paweł Althamer). The Museum collection also includes artistic archives—e.g. over 150 000 negatives from the eminent photographer Eustachy Kossakowski, plus a collection of films and photographs documenting the activities of Prof. Grzegorz Kowalski’s workshop at Warsaw Academy of Fine Arts, which was so vital for Polish art after 1989. There is also a collection of several hundred films by artists, available online in the Museum’s Filmoteka. “In the Heart of the Country” is the Museum of Modern Art in Warsaw’s largest exhibition project to date. It reflects the full scale and scope of the Museum institution’s venture. Smaller elements of the collection were previously on show at the institution’s temporary headquarters, a residential building at No.3 Pańska Street (“Art Comes Before Gold” and “3xYES”), the Presidential Palace in Warsaw (“Today’s Art Makes Tomorrow’s Poland”) and exhibitions abroad: the KW Institute for Contemporary Art in Berlin (“Early Years”), the Polish Institute in Rome (“Vede Cose Che Non Ci Sono”), and Moscow’s Belye Palaty (“Auditorium Moscow”). Individual works in the collection have been on loan to many prestigious museums and galleries in Poland and abroad. For example, Mirosław Bałka’s sculpture Black Pope and Black Sheep will feature in the main exhibition at this year’s Venice Art Biennale. “In the Heart of the Country” presents over 150 exhibits from the Museum collection. They cover several intersecting themes, such as the globalisation of art history; links between cities and contemporary art; emancipatory narratives in art; questions of memory and history; language and the ethics of modernity; socially engaged artists; and a topic rarely broached by contemporary art exhibitions: manifestations of spirituality. The exhibition’s title deri