Notes from the Field: Materiality

A new worldwide mass image culture and a huge jump in the capitalization of artworks helped spur the radical redefinition of the work of art. Fried's antiliteralism hangs onto the immateriality of the work of art (or to a conception of materiality as that which is in motion toward ...), a "...

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Veröffentlicht in:The Art bulletin (New York, N.Y.) N.Y.), 2013-03, Vol.95 (1), p.10-37
Hauptverfasser: Rosler, Martha, Bynum, Caroline Walker, Eaton, Natasha, Holly, Michael Ann, Jones, Amelia, Kelly, Michael, Kelsey, Robin, LaGamma, Alisa, Wagner, Monika, Watson, Oliver, Weddigen, Tristan
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Sprache:eng
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Zusammenfassung:A new worldwide mass image culture and a huge jump in the capitalization of artworks helped spur the radical redefinition of the work of art. Fried's antiliteralism hangs onto the immateriality of the work of art (or to a conception of materiality as that which is in motion toward ...), a "thing" harboring an essence. Despite the repressive and isolating doctrines of high modernism, the concerns of "citizenship" (for want of a better word) reasserted themselves; suddenly the "art world" became visible in relation to other social institutions and "systems," which helped enlarge the arena of action. Change the conversation! A "Garage Sale," a messy salesroom of discarded ordinary items . .. why is this array of unworthy objects in the art gallery? Propositions may lurk among the objects of desire and disgust-but where exactly is the work of art? In November 2012 New York 's Museum of Modern Art presented her performance event Meta-Monumental Garage Sale [roslerstudio@earthlink. net, http://www.
ISSN:0004-3079
1559-6478
DOI:10.1080/00043079.2013.10786104