Recent Art of Sakarin Krue-On: An Interview
The art of Sakarin Krue-On involves a variety of approaches, from highly planned terraces based on traditional farming techniques to digital media installations. A key figure in establishing the media department at Silpakorn University, Thailand's premier training ground for artists and art his...
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Veröffentlicht in: | Art journal (New York. 1960) 2008-06, Vol.67 (2), p.92-103 |
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Format: | Artikel |
Sprache: | eng |
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Zusammenfassung: | The art of Sakarin Krue-On involves a variety of approaches, from highly planned terraces based on traditional farming techniques to digital media installations. A key figure in establishing the media department at Silpakorn University, Thailand's premier training ground for artists and art historians, Krue-On was one of the seven representatives selected for the first-ever Thai Pavilion at the 50th Venice Biennale (2003), and he was the first Thai artist to participate in Documenta (2007). His Terraced Rice Field and Nang Fa (Angel), both site-specific installations at the 2007 Kassel exhibition, exemplify his interests in process art as well as traditional Thai painting. Similarly, Circle of Hope (2003), a single-screen video projection that depicts multiple images of a traditional Thai goddess in a rotating, pulsating circle of blue, pink, green, and purple concentric circles against a black background, is a compelling mix of technological imagery, somatic effect, and traditional Thai motifs. |
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ISSN: | 0004-3249 2325-5307 |
DOI: | 10.1080/00043249.2008.10791306 |