DRUMMERS OF THE SULTAN OF BUTON: THE LASTING INFLUENCE OF THE DUTCH EAST INDIA COMPANY ON LOCAL MUSIC TRADITIONS

In 2007, while doing my Bachelor of Arts in musicology, I chose to do fieldwork in a faraway place, gathering my own field data, and above all having a firsthand experience of music in context. I was fascinated with Indonesia and after listening to the 20 CD-series of Indonesian music recorded by Ph...

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Bibliographische Detailangaben
1. Verfasser:	Miriam L. Brenner
Format:	Buchkapitel
Sprache:	eng
Schlagworte:	Anthropology Applied anthropology Artistic direction Arts Arts participation Behavioral sciences Ceremonies Communications Communications media Cultural anthropology Cultural customs Dance Drums Membranophones Music Music ensembles Music theory Musical bands Musical direction Musical instruments Musical performance Musical rhythm Musical time Performing arts Pilgrimages Practical theology Processions Religion Religious practices Rituals Social sciences Theology Visual materials
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Beschreibung
Zusammenfassung:	In 2007, while doing my Bachelor of Arts in musicology, I chose to do fieldwork in a faraway place, gathering my own field data, and above all having a firsthand experience of music in context. I was fascinated with Indonesia and after listening to the 20 CD-series of Indonesian music recorded by Philip Yampolsky for Smithsonian Folkways I got in touch with him. He introduced me to Bandung-based musicologist Endo Suanda and his Tikar Media Budaya Organisation,¹ and together we decided to carry out research on the music of one of the most ‘unrecorded’ areas in the archipelago: Southeast Sulawesi.