The Biennale der Ostseeländer: The GDR’s Main International Arts Exhibition

Rostock’s Kunsthalle, a 1969 building in the international style, has been preserved in almost all details until today and—as will be shown—can be seen as the most important representational remnant of the Biennale der Ostseeländer (Biennial of the neighboring countries of the Baltic Sea). Kunsthall...

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Bibliographische Detailangaben
1. Verfasser:	Elke Neumann
Format:	Buchkapitel
Sprache:	eng
Schlagworte:	Anthropology Applied anthropology Archives Art exhibitions Art history Art periods Arts Arts participation Behavioral sciences Committees Cultural anthropology Cultural institutions Cultural policy Entertainment Ethnography Ethnology Exhibitions Government Human societies International politics International relations Judicial decision making Judicial panels Judicial system Juries Law Leisure studies Modern art Museum exhibits Peacetime Political science Politics Public administration Public policy Recreation Russian culture Russian studies Social groups Social policy Sociology
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Beschreibung
Zusammenfassung:	Rostock’s Kunsthalle, a 1969 building in the international style, has been preserved in almost all details until today and—as will be shown—can be seen as the most important representational remnant of the Biennale der Ostseeländer (Biennial of the neighboring countries of the Baltic Sea). Kunsthalle Rostock owes its existence to this GDR international arts exhibition, which has temporarily also been called the Biennale der Ostseestaaten (Biennial of the neighboring states of the Baltic Sea). The exhibition was the cultural core of the Ostseewoche. Between 1965 “and 1989 it showed exhibits from all neighboring countries of the Baltic Sea.