Disjointed Narratives in Contemporary Israeli Films

Ethnicity has always posed a challenge to secular national culture. Therefore it usually has been articulated in cultural production in relation to the question of nationality, often in terms of the degree of incorporation of ethnicity into the national culture. Through the character of Michael Corl...

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1. Verfasser:	NITZAN BEN SHAUL
Format:	Buchkapitel
Sprache:	eng
Schlagworte:	Anthropology Applied anthropology Applied sciences Armed conflict Asian studies Behavioral sciences Ceremonies Communications Cultural anthropology Cultural customs Cultural studies Development studies Engineering Ethnicity Ethnography Ethnology Film studies Globalization Hand weapons Human societies International development Kaleidoscopes Marriage Marriage ceremonies Military science Movies Narratives Optical engineering Optical equipment Political science Rituals Social institutions Social sciences Sociology South Asian studies Southeast Asian culture Southeast Asian studies Swords Technology War Weapons Weddings
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Zusammenfassung:	Ethnicity has always posed a challenge to secular national culture. Therefore it usually has been articulated in cultural production in relation to the question of nationality, often in terms of the degree of incorporation of ethnicity into the national culture. Through the character of Michael Corleone (Al Pacino), an Italian American war hero who gradually becomes the head of the Corleone Mafia family and is married to an ethnically unidentified non–Italian American (Dian Keaton), Francis Ford Coppola’sThe Godfather: Part II(1974), for example, both opposes American Italian ethnicity to the American national ethos and allegorizes American politics through