Burden of Colonialism and Alienation in Modern Kurdish Novel
This article focuses on the influence of the colonialism and how such forces are reflected in the modern Kurdish novel. It becomes apparent that such forces are yet at a great work in the regions inhabited by the Kurds in the region of Middle East. Furthermore, this study considers how sophisticated...
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Veröffentlicht in: | International Journal of Kurdish Studies 2019-08, Vol.5 (2), p.373-392 |
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Format: | Artikel |
Sprache: | eng |
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Zusammenfassung: | This
article focuses on the influence of the colonialism and how such forces are reflected
in the modern Kurdish novel. It becomes apparent that such forces are yet at a
great work in the regions inhabited by the Kurds in the region of Middle East.
Furthermore, this study considers how sophisticated means are being used physically, culturally, and economically as an
ongoing process where people have been deprived
of stability, prosperity and peace. In
concluding remarks, it becomes evident that the impact of colonialism, has
influenced people on four levels: First, the internal displacement, mostly
reflected in Gharbi Mustafa’s first two novels. Secondly, The Inner
psychological conflict, this experience is reflected in Ismet Badal’s novel Dawiya
Şervanekî. Thirdly, man’s quest for traditions which is mostly reflected in
Yashar Kemal’s novel The Pomegranate Tree. These factors have triggered
a response to the dominant narrative in the form of novels.
This article focuses on the influence of the colonialism and how such forces are reflected in the modern Kurdish novel. It becomes apparent that such forces are yet at a great work in the regions inhabited by the Kurds in the region of Middle East. Furthermore, this study considers how sophisticated means are being used physically, culturally, and economically as an ongoing process where people have been deprived of stability, prosperity and peace. In concluding remarks, it becomes evident that the impact of colonialism, has influenced people on four levels: First, the internal displacement, mostly reflected in Gharbi Mustafa’s first two novels. Secondly, The Inner psychological conflict, this experience is reflected in Ismet Badal’s novel Dawiya Şervanekî. Thirdly, man’s quest for traditions which is mostly reflected in Yashar Kemal’s novel The Pomegranate Tree. These factors have triggered a response to the dominant narrative in the form of novels. |
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ISSN: | 2149-2751 |
DOI: | 10.21600/ijoks.530519 |