The Pig, the Snake and the Pigeon: A Buddhist Reimagination of the Classic Tale of Zhou Chu
This article examines the Buddhist inspirations underlying the contemporary reinterpretation of the classic, Zhou Chu Chu Sanhai (Zhou Chu Eliminates the Three Scourges) in the Taiwanese film entitled The Pig, the Snake, and the Pigeon. Beyond the obvious reinterpretation of the "three scourges...
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Veröffentlicht in: | The journal of religion and film 2024-10, Vol.28 (2), p.COV1 |
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Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | This article examines the Buddhist inspirations underlying the contemporary reinterpretation of the classic, Zhou Chu Chu Sanhai (Zhou Chu Eliminates the Three Scourges) in the Taiwanese film entitled The Pig, the Snake, and the Pigeon. Beyond the obvious reinterpretation of the "three scourges" in the original tale as the "three poisons" of greed, hatred, and delusion in the film, one also finds a deeper connection with the notion of "skillful means" (upaya-kausalya) and the Parable of the Burning House in the Lotus Sutra as well as the tension between established religious beliefs and new religious movements. Keywords Buddhism, three poisons, skilful means, Zhou Chu, Lotus Sutra |
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ISSN: | 1092-1311 1092-1311 |
DOI: | 10.32873/uno.dc.jrf.28.02.06 |