Dilma Goes: brazilian textil art from 1980 to 1990, looking through her personal files/Dilma Goes: arte textil capixaba nas decadas de 1980 e 1990, um olhar atraves de seus arquivos pessoais

The article discusses the prospects of woven art in the Espirito Santo (Brasil), from the work of Dilma Goes, starting from her experience as generating images to resignifying these memories and the (re)materialization in works that reflect the textile innovation in Brasil. It starts with a historical contextualization of this visual language in Brasil. The approach will be made by through the methodological bias the studies of the creation process, based on the assumptions of genetic criticism and archives studies on its mediation with visual arts, startingfrom the study of the artist's documents of the creative process.