The obsessive rewriting of the childhood in two books by Salim Miguel: the creation of a "autoficcional space"/A reescrita obsessiva da infancia em dois livros de Salim Miguel: a criacao de um "espaco autoficcional"

Salim Miguel does not write, he rewrites. His writings consist in an obsessive rewriting of fragments of his own childhood that obstinately insist on returning to the adult subject. They are the same pieces of life, but always different. Repetition of literary scenes and characters that allows us to think about the construction of an "autofictional space", where the writer, undergone by the experience of the diaspora, can express itself freely, even if the image of himself presented to the reader is multiple, fragmentary and lacunar. This is what we see in the books Onze de Biguacu mais um (1997) and Reinvencao da infancia (2011), objects of this work, which are presented among the unfortunate incidents of childhood and youth, a kind of personal, moral and literary formation of Seu Ze Miguel's older son, a character built by the author to fictionalize his own experience. Based on that, we aim to reflect on Salim Miguel's autofictional writing and the establishment of an ambiguous pact with the reader, based on the theoretical assumptions of Lejeune (2008), Arfuch (2007), Alberca (2007) and others. In these terms, in a way that privileges the intrinsic relationship among different texts by the same author and covers both textual and paratextual analysis, it was identified, in the literary production of the writer, the use of a series of procedures that distrust of centralizing notions like those of subject, identity and pretension of totality. Keywords: Autofictional space. Childhood. Ambiguous pact. Salim Miguel nao escreve, ele reescreve. Seus textos consistem em uma reescrita obsessiva de fragmentos da propria infancia que obstinadamente teimam em retornar para o sujeito adulto. Sao os mesmos pedacos de vida, mas sempre diferentes. Repeticao de cenas literarias e personagens que permite pensar na construcao de um "espaco autoficcional", local onde o escritor, atravessado pela experiencia da diaspora, pode expressar-se livremente, mesmo que a imagem de si mesmo oferecida ao leitor seja multipla, fragmentaria e lacunar. E o que percebemos nos livros Onze de Biguacu mais um (1997) e Reinvencao da infancia (2011), objetos deste trabalho, os quais apresentam entre os percalcos da infancia e juventude, uma especie de percurso de formacao pessoal, moral e literaria do filho mais velho do Seu Ze Miguel, personagem construida pelo autor para ficcionalizar a propria experiencia. Com base nisso, objetivamos refletir sobre a escrita autoficcional de Salim Miguel e a