"BEIN ALIVE BEIN A WOMAN BEIN COLORED": THE METAPHYSICAL DILEMMA IN NTOZAKE SHANGE, SHERLEY ANNE Williams, AND TONI MORRISON/ "BEIN ALIVE BEIN AWOMAN BEIN COLORED": O DILEMA METAFISICO EM NTOZAKE SHANGE, SHERLEY ANNE WILLIAMS E TONI MORRISON

This essay is an analysis of three literary works by black women writers from the U.S.: Ntozake Shange's For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf Sherley Ann Williams' novel Dessa Rose, and Toni Morrison's novel Beloved. In my analysis, I use Shange'...

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Veröffentlicht in:Revista Ártemis (João Pessoa) 2017-07, Vol.24 (1), p.12
1. Verfasser: de Araujo, Flavia Santos
Format: Artikel
Sprache:por
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Zusammenfassung:This essay is an analysis of three literary works by black women writers from the U.S.: Ntozake Shange's For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf Sherley Ann Williams' novel Dessa Rose, and Toni Morrison's novel Beloved. In my analysis, I use Shange's trope of the "methaphysical dilemma" to consider the intersections of gender, race, and sexuality in these writers' textual representations of black women's bodies. Writing against a historical legacy of colonialism and domination that defined black bodies as "primitive" or "unbridled" (bell hooks 1991), I argue that these works illustrate some of the artistic/ literary strategies contemporary black women writers use to re-claim the power of voice/voicing as they depict black women's subjectivities as unfinished, complex, but self-fashioned creations. Keywords: Black women writers. Black women's bodies. Literary representations. Este ensaio e uma analise de tres obras literarias produzidas por escritoras negras dos Estados Unidos: For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, de Ntozake Shange; Dessa Rose, romance de Sherley Ann Williams; e Beloved, romance de Toni Morrison. Em minha analise, uso a alegoria do "dilema metafisico", criada por Sahnge, nas minhas consideracoes acerca das interseccoes entre as categorias de raca, genero e sexualidade em representacoes textuais do corpo da mulher negra nas obras dessas escritoras. Procuro demonstrar que, ao escreverem na contra-corrente da heranca colonial que define os corpos negros como "primitivos" ou "selvagens" (bell hooks 1991), estas obras literarias ilustram algumas das estrategias artistico-literarias usadas por escritoras negras contemporaneas para reclamar o poder da fala/voz em representacoes das subjetividades de mulheres negras como criacoes inacabadas, complexas, mas auto-geradas. Palavras-chave: Escritoras negras. Corpos de mulheres negras. Representacoes literarias.
ISSN:1807-8214