Éxito gráfico - 1906-09-01

South American monthly magazine of graphic arts, as its subtitle expresses, began to be published, in September 1905, by the Buenos Aires Casa Editorial Curt Berger and Sociedad, to which, in 1891, the outstanding anarchist leader, writer and journalist from Barcelona Antonio Pellicer Paraire - in some references, Pereyra- (1851-1916), who will lead it. Both for the literary and the typographical as for the materials used in his making and stamping and, also, for his binding, Estela Maris Fernández (2004), who has analyzed the Argentine technical magazines of between centuries dedicated to art and the graphic industry, has assigned to this a singular perfection and neatness, in the frame of the modernist movement, along with others, such as Pages graphics, Echography or La Noografía (1898-1899), Printed in the Fessel & Mengen Workshops, with a Victoria minerva, and in deliveries of varied pagination and foliation followed, and with a profusion of very significant typographic and printing boasts, it is dedicated to the promotion of the arts and graphic industries in South America, with special attention to Argentina, which lived a real revolution in this field. Its purpose was to register in its pages all the novelties, inventions or essays that were carried out in the international graphic industry. His texts will be interspersed with engravings of printing artifacts, as is the case with rotatives or new composing machines. It will be a publication that will also offer technical and stylistic knowledge to printers, typographers, lithographers, photographers, engravers, cartoonists, binders and all trades involved in the graphic arts industry, from generalities about the art of printing to technical or mechanical aspects of it. But he also devotes space to congresses and exhibitions and studies on ex libris, very rare editions of Don Quixote or the Museum of Graphic Arts Leipzig, and publishes, for deliveries, a Vocabulary of typography and annexed bouquets, of Virginio Colmegna The magazine also devotes attention to trade union aspects and professional education, and includes as internal supplement an official Bulletin of the Graphic Arts Section of the Argentine Industrial Union, with reports and reports on conditions and regulation of work, wage rates, legislation of the sector or information about its assemblies, and from its pages will be promoted the creation of the Argentine School of Graphic Arts, of which Pellicer -considered the patriarch of As an