Popular film - 1932-03-03

One of the main film weeklies where journalists and libertarian critics will be quoted that during the Republic and the civil war will also be film documentalists, some of them later shot and mostly exiled. Printed in Barcelona in gravure and with numerous graphic resources. Until 1935 it was his literary director the journalist, writer and documentary filmmaker, anarchist militant of CNT-FAI, Mateo Sanz (1891-), who will be replaced by the future francoist Luis Gómez Mesa (1902-), who had previously been editorial secretary of the magazine delegation in Madrid. It contains novelties and premieres, critics, articles of dissemination, biographies, interviews, reports, novels and musical scores, also dedicating space to current events and theatrical criticism and commercial advertising. Printed in 18 pages, which would later be extended. Lope Fernando Martínez de Ribera was his editor-in-chief until 1927, when he was replaced by Enrique Vidal; José Guitart Farura (-1993), his musical director; S. Torres Benet, technical director; Isidoro Bultó Casanovas, manager, and Jaime Olivet Vives, administrator. His delegation in Madrid, in addition to Luis Gómez Mesa, which in 1932 was replaced by Antonio Guzmán Merino, was in charge of Domingo Romero, and his collaborators were José Murillo NiSu, Ramón Escrivá de Romaní, Carlos Aguilar, photographer José Luque and artist Miguel de Eguía, as well as Leonor de Santa Pola (pseudonym). Among his collaborators was the one that would later be important film director Rafael Gil (1913-1986), as well as Juan Piqueras (1904-1936), Ginés Alonso (1911-1988), Rosendo Llurba (1887-1954), Carlos Ruiz-Funes Amorós (1905-1967), Francisco Carrasco de la Rubia (1905-1939), Adolfo Ballano Bueno, Clemente Cruzado García, J. Llano de Cosso, Alberto Mar, Antonio Blanco, Fernando Rondón y Ángel Lesgel It also had correspondents in Paris and New York. In Berlin it was Armand Guerra (1886-1939) and Jean Desjardins., The magazine disappeared in January 1937. Uno de los principales semanarios de cine donde se van a dar cita periodistas y críticos libertarios que durante la República y la guerra civil serán también documentalistas cinematográficos, algunos de ellos después fusilados y en su mayor parte exiliados. Impreso en Barcelona en huecograbado y con numerosos recursos gráficos. Hasta 1935 fue su director literario el periodista, escritor y documentalista cinematográfico, militante anarquista de CNT-FAI, Mateo Sanz (1891-), quien será susti