Fellowship and the Ring Character Traits, Motivations and Class in The Lord of the Rings, the Novel Versus the Film Trilogy

In this essay, I analyse the characters of Frodo and Aragorn in Tolkien’s The Lord of the Rings and Peter Jackson’s film trilogy in order to see if traits and relationships are consistent between the novel and the films. Any changes in characters and the ways they interact in relationships entail changes not only to the overarching narrative, but potentially to the most important themes of the story: friendship and heroism. This is important for the general discourse on the films as adaptations, since they have been accused of not being true to the thematic core of the source material. Peter Jackson’s claim that the intention was to always remain true to the spirit of Tolkien’s novel, then necessitates a closer comparison of the two works. Therefore, in investigating the characters I look not only for differences and similarities, but also for the repercussions these have on the story and the potential reasons behind them. By examining the characters from the perspective of the novel, the films and the filmmakers’ commentaries, I discuss how the removal of social class in the films changes the actions of the characters and consequently affects the themes of friendship and heroism. I also bring up the effects of changing from a novel to film as well as the symbiotic relationship between the character traits and the narrative as a whole. This essay shows that though the social class, character traits and the narrative flow are changed in a circular pattern. A closer look at the films reveals that the story’s core themes of friendship and heroism not only remain consistent, but are given more emphasis than in the novel. Självständigt arbete på grundnivå (kandidatexamen) 15 poäng / 22,5 hp Självständigt arbete på grundnivå (kandidatexamen) 15 poäng / 22,5 hp In this essay, I analyse the characters of Frodo and Aragorn in Tolkien’s The Lord of the Rings and Peter Jackson’s film trilogy in order to see if traits and relationships are consistent between the novel and the films. Any changes in characters and the ways they interact in relationships entail changes not only to the overarching narrative, but potentially to the most important themes of the story: friendship and heroism. This is important for the general discourse on the films as adaptations, since they have been accused of not being true to the thematic core of the source material. Peter Jackson’s claim that the intention was to always remain true to the spirit of Tolkien’s novel, then necessitates a c