الترغيب و الترهيب و تجلياتهما في التصوير الفارسي

This study is concerned with the study of " Invitation and Intimidation in Persian Painting ". It includes four chapters. The first chapter deals with the problem of the research, its importance, the need for it, its purpose, and its limits The problem of the research dealt with the subjec...

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Veröffentlicht in:Majallat Jāmiʻat Bābil 2019, Vol.27 (5), p.330-361
Hauptverfasser: الخزعلي، حيدر عبد الأمير رشيد, القره غولي، أنوار علي علوان عباس
Format: Artikel
Sprache:ara ; eng
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Zusammenfassung:This study is concerned with the study of " Invitation and Intimidation in Persian Painting ". It includes four chapters. The first chapter deals with the problem of the research, its importance, the need for it, its purpose, and its limits The problem of the research dealt with the subject of irritation and intimidation in Persian photography, which was determined by answering the following question: What is the Invitation and intimidation in Persian Painting? The importance of the current research is that it represents an attempt to investigate the concepts of induction and intimidation from the perspective of the expression of these two concepts in the products of Persian photography, and to highlight the impact of Quranic texts on the implications of the metaphors and intimidation on the products of Persian photography, through the transfer of these concepts to visual art applications. The need for the current research in the fact that the subject has not been studied in the area of plastic art, which is justified to address and disclose the analytical data, to achieve the desired benefit, and it benefits researchers and art connoisseurs and those interested in the aesthetic and technical studies and cash for Islamic photography, And research proposals. The objective of the research is to identify the Invitation and intimidation in Persian photography. The limits of the research include three aspects: (a) Objectivity: which was the study of encouragement and intimidation in the productions of Persian photography, which was limited to the miniatures that dealt with the topics (Quranic stories only) (1294-1555m), c-spatial: Iran . The second section, which consists of the theoretical framework, contains two topics. The first topic is: "The Propagation and Intimidation in the Holy Qur'an and the Sunnah". The second topic includes two axes: The theoretical framework ended with a series of indicators. The third chapter deals with the research procedures that included the research society of (20) miniatures, the research sample of (5) models, the research tool, its validity and stability, research methodology, mathematical and statistical methods. The fourth chapter included the results of the research, conclusions, recommendations and proposals, and finally a list of sources, supplements and forms.
ISSN:1992-0652
2312-8135