The Females and the Non-Humans in Julie Taymor’s The Tempest
In Julie Taymor’s film version of Shakespeare’s (2010), Prospero is changed into a female, Prospera. As almost all the original lines and plots are retained, the film would appear to be a ‘straight’ film version of Shakespeare. However, changing the sex of the main character sheds a new light on the...
Gespeichert in:
Veröffentlicht in: | Gender studies (Timişoara) 2015-12, Vol.14 (1), p.1-11 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Zusammenfassung: | In Julie Taymor’s film version of Shakespeare’s
(2010), Prospero is changed into a female, Prospera. As almost all the original lines and plots are retained, the film would appear to be a ‘straight’ film version of Shakespeare. However, changing the sex of the main character sheds a new light on the original play and proves the film to be an inspiring adaptation. By examining the relationship between the female characters (Prospera, Miranda) and the non-humans (Caliban, Ariel) in the film, this paper will show how deeply sexuality is related to the power struggle and the final reconciliation. |
---|---|
ISSN: | 1583-980X 2286-0134 |
DOI: | 10.1515/genst-2016-0001 |