Teologia e kantismo nell'estetica di Mariano Campo
Through the analysis of Mariano Campos (1892-1976) published works and thanks to further insights offered by some unpublished manuscripts, the profile of a philosopher is outlined, whose main interest, throughout his academic and research activity, has been aesthetics. More specifically, Campo has f...
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Veröffentlicht in: | Aisthesis (Florence, Italy) Italy), 2017-12, Vol.10 (2), p.113-124 |
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Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | Through the analysis of Mariano Campos (1892-1976) published works and thanks to further insights offered by some unpublished manuscripts, the profile of a philosopher is outlined, whose main interest, throughout his academic and research activity, has been aesthetics. More specifically, Campo has focused on the centrality of feelings to human aesthetic experience: it is through feeling that we experience a transfiguration of reality, which happens paradigmatically when, in front of an artwork, we appreciate it as an integral whole, a totality. Key words. Totality, feeling, form, analogy, existence. |
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ISSN: | 2035-8466 |
DOI: | 10.13128/Aisthesis-22413 |