Tra poesia e immagine. Giulia Niccolai e la parola-oggetto dell'invisibile

This essay concerns the works of Giulia Niccolai (an author involved in the Italian Gruppo '63 movement), and takes into account the relation between poetry and image, materiality of the work and the poetic word. The essay also aims at investigating the dynamics of opposition between the two languages and the role which both play in understanding the ultimate meaning of things. The essay focuses, in particular, on the author's latest poetic collections in which the importance of "frisbees" as an experimental form of poetry stands out. Keywords: concrete poetry, Giulia Niccolai, sonor poetry, visual culture, visual poetry