Pedagogical conditions for influence on artistic and aesthetic experience of pre-service music teachers of Ukraine and China in the process of vocal training

The article is devoted to the problem of developing pedagogical conditions for the development of artistic and aesthetic experience of pre-service music teachers of Ukraine and China in the process of vocal training. It has been found that the development of the information society and globalization have expanded the possibilities of higher art and pedagogical educational institutions of both countries regarding the professional training of pre-service teachers of Musical Arts belonging to the new generation, in particular in the direction of creating innovative pedagogical conditions for them to acquire artistic and aesthetic experience. The concepts “pedagogical conditions” and “artistic and aesthetic dominant in works of musical art” in the context of the existing socio-cultural environment have been specified. It has been proved that the priority pedagogical conditions for achieving this goal are: stimulating an interested attitude to the artistic and aesthetic segment of vocal training (in particular, self-evaluation, self-improvement, etc.); encouragement to reflect on the emotional and semantic content of the work; ensuring the interrelation between the artistic and aesthetic context of the interpretation of a vocal work and methodological support for teaching it (probably). An end-to-end pedagogic condition has been defined: emphasis on the artistic and aesthetic dominant of the vocal work which is mastered (perceived, evaluated, studied, etc.) by university students. The pedagogical principles which are considered as a methodological basis for the implementation of the elaborated pedagogical conditions have been presented. It has been concluded that for the sake of full-fledged, high-quality training aimed at pre-service Music teachers of Ukraine and China in accordance with their activities in modern general secondary education institutions, artistic and aesthetic experience is an important segment of their training. At the same time, in accordance with artistic and creative activities, in particular performance and interpretation, a professional type of training is reflected on their dominants. The study takes into account vocal training, which has certain artistic and aesthetic contexts. Their consideration involves the development of a set of special pedagogical conditions that influence the artistic and aesthetic experience of pre-service Music teachers.