Traces of Sadra's View on the Role of the Universe of Imagination in Resurrection in Ibn Arabi's Mysticism

With the affirmation of the words of Ibn Arabi and Mulla Sadra, which either arise from their common benefit in verses and traditions as a common source or based on Mulla Sadra's belief in the originality of existence, which is equal to the unity of Ibn Arabi's existence, that Mulla Sadra believes this idea is based on the theory of Gradation, substantial movement and Ibn Arabi believes this idea is based on perpetual creation theory, the manifestation of the shadowy existence and the ultra-rationality of some perceptions of presence in the discussion of the universe of imagination. We must say that both are present in the universe of imagination, its characteristics, its types and levels, the effect and significance of this universe in two arcs of descent and ascension, its role in epistemology, ontology. The results of the background of Mulla Sadra's views on Ibn 'Arabi's views about on imagination and its role in post-death universe are; 1- In some cases, they speak with verses and traditions; like (A) The existence of the general public at the initial level of imagination. B) the benefit of each person from the truth to the amount of capacity. (C) The nature of death. 2. In some cases, each according to the mystical and philosophical basis have own opinion, Such as Ibn Arabi, who manifests with grace and Mulla Sadra a) on the basis of the originality of existence, which equates to the unity of existence that is the mystical basis of Ibn Arabi[1] which these views are based on the idea of monotheism and the belief in the existence of a true trick. B) with the help of Gradation in arch of descent and substantial movement in the arc of the ascension, which sparks of this theory are seen in the Ibn Arabi perpetual creation. C) By conveying the same equilibrium of two arches, they explain and prove, such as A) the universe of imagination and its degree. B) The location of the connected fancy and the disconnected fancy. C) Compliance and non-conformance of horn with out. D) mediating the imagination power between nature and the universe. E) Make changes. 3. In some cases, Mulla Sadra's innovations are clearly visible; for example (A) Attention to the power to create the power of imagination in the incorporeity. B) the type of connection of the imagination with the soul. C) the difference between the disconnected fancy world and the universe of ghosts like Platonic Norie and its reason. D) creativity of the soul towards the horn.E ) horn location. F) The exis