Art=life? Deleuze, badiou and ontology of the human
The idea of the relation between art and life as becoming-life of art is a consequence of specific modern developments ranging from the Enlightenment to capitalism. This assemblage of thought and practice is present in one of the most dominant art forms today, and the task of this paper is to reasse...
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Veröffentlicht in: | Filozofija i društvo (Zbornik radova) 2015, Vol.26 (2), p.392-413 |
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Format: | Artikel |
Sprache: | ger ; srp |
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Zusammenfassung: | The idea of the relation between art and life as becoming-life of art is a
consequence of specific modern developments ranging from the Enlightenment to
capitalism. This assemblage of thought and practice is present in one of the
most dominant art forms today, and the task of this paper is to reassess the
current state of affairs in art considering that the current state of affairs
in art is a symptom of the global society of control. In order to be
emancipatory art, on the one hand, Art presupposes de-substantialization and
deessentialization of the biopolitically formed life and the category of Man,
while on the other hand it also presupposes a new ?generic in-humanum? (in
Badiou), that is, a people to come (in Deleuze) as the basis of politicity.
Hence, emancipatory art needs to break away with the human in order to reach
that which is beyond the current democratic materialism.
nema |
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ISSN: | 0353-5738 2334-8577 |
DOI: | 10.2298/FID1502392F |