Taboo in the Next Room: Lesbian Suicide in Lillian Hellman’s The Children’s Hour
This article argues that Lillian Hellman’s play The Children’s Hour (1934) conflates two taboos: lesbianism and suicide. In so doing, the play creates a space of irresolution that suggests an inherent instability in the process of the taboo.
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Veröffentlicht in: | Forum (Edinburgh) 2017-05 (24) |
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Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | This article argues that Lillian Hellman’s play The Children’s Hour (1934) conflates two taboos: lesbianism and suicide. In so doing, the play creates a space of irresolution that suggests an inherent instability in the process of the taboo. |
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ISSN: | 1749-9771 1749-9771 |
DOI: | 10.2218/forum.24.1881 |