Wajda mise-en-abîme. Andrzej Wajda's ”Everything for sale” and ”Sweet Rush
Mise-en-abîme discourse reveals itself most clearly in 2 films by Andrzej Wajda – Everything for sale and Sweet Rush. These are connected by collective reflexive contexts, as well as by a tendency to promote formal novelty. They can be analysed from the perspective of “a film in a film”, which is a...
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| Veröffentlicht in: | Przestrzenie teorii 2017-12 (27), p.151-170 |
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| Format: | Artikel |
| Sprache: | pol |
| Online-Zugang: | Volltext |
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| Zusammenfassung: | Mise-en-abîme discourse reveals itself most clearly in 2 films by Andrzej Wajda – Everything for sale and Sweet Rush. These are connected by collective reflexive contexts, as well as by a tendency to promote formal novelty. They can be analysed from the perspective of “a film in a film”, which is a story about making a film or “a film about a film”, which is a reflection on the cinematographic means of expression. |
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| ISSN: | 1644-6763 2450-5765 |
| DOI: | 10.14746/pt.2017.27.12 |