Leitor, narrador, herói: cumplicidade na poesia épica do Romantismo latinoamericano
Being a highly ambitioned genre in Latin American literature during Romanticism, epic poetry has heroicity as one of its defining features. This article analyses how two Latin American Indianist epic poems – “I-Juca-Pirama” (1851), by the Brazilian Antônio Gonçalves Dias, and Tabaré (1888), by the U...
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Veröffentlicht in: | Latin American literary review 2018-05, Vol.45 (89), p.2-14 |
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Hauptverfasser: | , |
Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | Being a highly ambitioned genre in Latin American literature during Romanticism, epic poetry has heroicity as one of its defining features. This article analyses how two Latin American Indianist epic poems – “I-Juca-Pirama” (1851), by the Brazilian Antônio Gonçalves Dias, and Tabaré (1888), by the Uruguayan Juan Zorilla de San Martín – present convergent problems and solutions in the shaping of Indian epic heroes. The recognition of the excellence of a new kind of hero, whose heroicity is based on his/her subjectivity, cannot take place on the diegetic level and is only possible by means of complicity, understood as a sharing of ethical values, between hero, reader and, in the case of Tabaré, narrator. |
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ISSN: | 0047-4134 2330-135X |
DOI: | 10.26824/lalr.29 |