El doble exterior como vía de recuperación de la amada muerta en / Bruges-la-Morte / de Rodenbach, / Sueurs froides: D’entre les morts / de Boileau y Narcejac y / Vértigo / de Hitchcock

In this paper we present a study of three manifestations of the double objective, seeking to penetrate the psychology of the widow or the lover, to reveal his obsessions, his fantasies, his desires and his errors. This theme is related to those of love and death, and myths of Pygmalion, Ophelia and Or-pheus. All this will lead the story to a tragic ending, the moment where the protagonist will face the bitter reality.