From Soviet Hairstyles to Contemporary Gender Politics

This article is a transcript of a two-hour interview with Jekaterina Oertel, who worked on the DAU project from 2008 to 2018 in a range of key roles, including as the head of make-up and hair design; a participant, or actor; a co-screenwriter; and the editor and co-director (with Ilya Khrzhanovskiy)...

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Veröffentlicht in:Apparatus (Berlin) 2022-06, Vol.14
1. Verfasser: Rachel Morley
Format: Artikel
Sprache:cze
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Zusammenfassung:This article is a transcript of a two-hour interview with Jekaterina Oertel, who worked on the DAU project from 2008 to 2018 in a range of key roles, including as the head of make-up and hair design; a participant, or actor; a co-screenwriter; and the editor and co-director (with Ilya Khrzhanovskiy) of seven DAU films and two DAU series. The questions seek to elicit Oertel’s perspective on various aspects of four broad topics: the shooting process in Kharkiv between 2008 and 2011; the editing and co-directing process, conducted in London between 2012 and 2018; the films that Oertel co-directed, with particular focus on DAU. Katya Tanya; and the aims, outcomes and reception of the DAU project as a whole.
ISSN:2365-7758
DOI:10.17892/app.2022.00014.291