Explaining the place of adjectives in the praise discourse

One of the important concepts in the development of the language of a text is how to use linguistic tools to express the subject and achieve the author's purpose. A text is an interconnected set of different linguistic components influenced by each other. Vocabulary, syntactic and rhetorical combinations and structures are among the constituent, textual elements. The word as the smallest meaningful unit of language is one of the main components of a text on which the text’s structure and meaning depend. The choice of words in each text according to its type, structure, and goals is one of the most important linguistic issues. One of the components of a text, which is considered as a type of word in grammar books, is the adjective. An adjective category is a sub-element that has different types based on the concept, structure, and grammatical classification. What makes adjectives worthy of being considered as beyond these divisions is their place in influencing the structure, content, and characterization of the language of a text. Adjectives, based on their content and form, are considered effective elements in expanding the meaning, praise, condemnation, rhetorical and syntactic feature in the text. This issue can be examined in any text according to its linguistic structure and content. In ideological texts, the adjective according to the context and its political attitude toward the institution of government finds a place beyond a sub-element. It also consistently presents in the linguistic structure and purposeful context of the text. Persian poems, especially eulogy poems, are the most prominent types of ideological classic texts that have a strong connection with the prevailing political thought in the era of every eulogist poet. What is accepted by default is the use of language by the eulogist poets to form the discourse of power in the text in favor of the institution of government. Accordingly, the category of adjectives in the poems of six prominent poets belonging to the flourishing periods of praise poetry, from the beginning to the end of the sixth century, was studied. These poets are Farrokhi, Manouchehri, Anvari, Sanai, Khaghani, and Kamal Ismail, from whom twenty poems of praise were selected and analyzed. The reason for the selection was that the format of the ode is the best one for composing praise poems. Poems were also selected from among the selected poems of poets. Accordingly, the focus of this research is on the morphological, sy