New Maghrebi Diasporic Film with an Amazigh Twist: Benamraoui’s Adios Carmen (2013)

Over the past fifteen years or so, the cinema of the Maghrebi diaspora in Europe has evolved drastically under the fresh impulse of its new directors, in directions most visible in narrative foci, ways of filming, and new imaginative funding schemes. Here, Martin analyzes the cinema of the Maghrebi diaspora in Europe and traces its evolving narratives and structures through the history of immigration in films.