A Photobook of the Shimmer: Pearl Fisheries, Photography, and British Colonialism in South Asia

This article examines Lionel Wendt's photographs of the Sri Lankan shoreline and its pearling economy during the British occupation in the 1930s and 1940s. It considers the light they shed on labour, as well as the tangled relationships between wealth and waste, in an environment where the detritus (cultch) generated by harvesting luxury pearls also formed the most common building materials. The ambivalences of Wendt's aesthetic are connected to the qualities of pearlescence and the shimmer, which themselves were freighted with both metaphorical meaning and technical possibility, for theorists of modernity like Walter Benjamin and early scientists of photography alike. Considering what was, and was not depicted in Wendt's photographs, the article describes the materiality of the coercive labour that existed in the Gulf of Manaar, as well as its connected imaginaries, both local and colonial.