Storyboarding: A Critical History, by Chris Pallant and Steven Price

Scholarly studies that focus on preproduction materials are rare, particularly for the “classic” studio period and earlier, doubly so for works that do not relate to Alfred Hitchcock and Disney animation. [1] One might counter such a claim by pointing to recent publications that feature production art for film franchises (Halligan, Filmcraft; Art), catalogues and essays that accompany exhibitions of production art (Carrick; Corliss and Clarens; Michelson; Schmenner and Granof), or, indeed, substantial studies on production design in film, many of which approach the topic through the field of architectural studies (Neumann; Bergfelder et al.).