Meyerbeer and French Grand opéra

Meyerbeer and French Grand opéra

Organized in conjunction with the 150° anniversary of the death of Giacomo Meyerbeer, this conference aims to celebrate this composer as well as the development of French Grand opéra after 1831 (the year of Robert le diable). Meyerbeer’s theatrical production system estabilished a Grand opéra model...

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Bibliographische Detailangaben
1. Verfasser: Calenda
Format: Dataset
Sprache:eng
Schlagworte:
Europe
Histoire culturelle
Histoire de l'Art
Représentations
Sociologie de la culture
XIXe siècle
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Beschreibung
Zusammenfassung:Organized in conjunction with the 150° anniversary of the death of Giacomo Meyerbeer, this conference aims to celebrate this composer as well as the development of French Grand opéra after 1831 (the year of Robert le diable). Meyerbeer’s theatrical production system estabilished a Grand opéra model in France and abroad that promoted the reputationy of Parisian productions. The Meyerbeerian standard was assimilated particularly in Germany and Italy; but it also provoked severe criticism, sometimes related to extra-operatic issues such as the composer’s Jewish origin.
ISSN:2107-5646
DOI:10.58079/pnu